Opera

Panel Chair

Toni Lalich OAM (Chair)

Toni has worked as an accompanist and vocal coach in Melbourne for many years, performing with professional singers, instrumentalists and choirs. She was Company Manager and Vocal Coach for Short Black Opera for 13 years, supporting the development and training of First Nations singers and instrumentalists. Toni is currently covering the role of Director of Emerging Artists at Musica Viva Australia and continues to support arts and cultural program in Shepparton through her work with The Fairley Foundation. In 2019, she received a Medal of the Order of Australia for service to the performing arts, particularly music.

Panellists

Linda Barcan

Lyric mezzo-soprano Linda Barcan trained in theatre and singing voice performance and pedagogy at the University of Newcastle, the National Institute of Dramatic Art (NIDA), the Sydney Conservatorium of Music and the Melbourne Conservatorium of Music.

She has performed with opera companies, orchestras, chamber ensembles and piano/vocal duos in Australia, Europe and the USA. Linda specialises in 20th and 21st century vocal music, and has featured in several world- and Australian-premiere opera and art song productions, broadcasts and recordings. Linda has 25 years’ experience as a singing teacher in the secondary, tertiary and private sectors in New South Wales, Western Australia, and Victoria. She is currently Lecturer in Music (Voice) at the Melbourne Conservatorium of Music, the University of Melbourne.

Lisette Bolton

Wagga Wagga born soprano and director Lisette Bolton is a Master of Music (Opera Performance) graduate from the University of Melbourne and an alumna of Opera Australia’s Regional Student Scholarship, the Young Songmakers Development Program, Opera Scholars Australia and the Australian Shakespeare Company’s Graduate Players course.

Since moving to Melbourne in 2017, she has been twice nominated for Green Room Awards, performing with many independent and state-funded companies throughout Victoria including Lyric Opera, IOpera, Victorian Opera, the Albury Chamber Music Festival, Australian International Productions and More Than Opera. She was recipient of the Goethe Institut Prize in the 2024 Australian Singing Competition and in 2025 was sponsored by the Cope-Williams Arts Foundation to undertake a study tour of Europe. She also made her directorial debut in IOpera’s 2025 season of The Old Maid and the Thief by Gian Carlo Menotti.

Jerzy Kozlowski

Jerzy’s extensive choral experience began in England, working with The Academy of St Martin in the Fields Chorus, the Collegium Musicum of London and the Saltarello Choir. After moving to Australia, Jerzy worked regularly with the Victoria State Opera and has performed with Opera Australia in every Melbourne season since 1996. He has also worked with Ozopera, Melbourne Opera Company, Operalive, Melbourne City Opera and Victorian Opera in roles such as Sparafucile in Rigoletto, the title role in Nyman’s The Man Who Mistook His Wife for a Hat, Grandpa Moss in Copland’s The Tender Land, Dr Bartolo in Barber of Seville and Leuthold in Rossini’s Guillaume Tell. Jerzy has sung solo with all major Melbourne choral groups in repertoire ranging from Handel’s Messiah to Verdi’s Requiem and solo recitals include performances of Shostakovich’s Suite on Verses by Michelangelo and Four Verses of Captain Lebyadkin. He has performed in many premieres of works by Australian composers such as Richard Mills, Johanna Selleck, Helen Gifford and Iain Grandage, including two song cycles written especially for him by Michael Bertram and Lawrence Whiffin. Recent performances have included the solo roles of Christus in Arvo Pärt’s Passio and also James Macmillan’s Since It Was the Day of Preparation, an Australian premiere.

Natalie Jones

Natalie Jones is an award-winning, critically acclaimed Australian soprano.

As a principal artist with Opera Australia and regular guest with all the nations’ state opera companies, she has been lauded for her interpretation of roles such as Queen of Night (The Magic Flute), Musetta (La Boheme), Gilda (Rigoletto) Juliette (Romeo et Juliette), Manon (Manon), Konstanze & Blonde (Abduction from the Seraglio), Adina (Elixir of Love), Susanna (Marriage of Figaro), Donna Anna, (Don Giovanni) Morgana (Alcina), Adele (Die Fledermaus) and Zerbinetta (Ariadne auf Naxos). She is passionate about mentoring young singers and is a sought-after adjudicator, voice teacher and performance coach, currently holding a position as Associate Teacher of Classical Voice at Monash University.

Natalie is a graduate of The University of Melbourne (Bachelor of Music Hons); Royal College of Music, Stockholm (Master of Music) and University of Wales, Trinity Saint David (Master of Arts/Vocal Pedagogy).

Liane Keegan

International artist, Liane Keegan is Australia born. She received scholarships from the Opera Foundation Australia, Shell Royal Covent Garden Scholarship, and a Bayreuth Bursary from the Wagner Society of Great Britain.

Liane’s extensive career has comprised leading roles in Australia and Europe. She has performed for VO Mary (The Flying Dutchman), for SOSA Erda, First Norn and Waltraute (Der Ring Des Nibelungen), Azucena (Il Trovatore), for OA Erda (Der Ring Des Nibelungen), Ulrica (Un ballo in Maschera), Azucena (Il Trovatore), for ENO First Norn (The Twilight of the Gods), for Theater Hagen Klytämnestra (Elektra), Mistress Quickly (Falstaff), and for Deutsche Oper Berlin Anna (Les Troyens), Emilia (Otello), Marcellina (Le Nozze Di Figaro) and Siegrune (Die Walküre). More recently Liane launched her critically acclaimed one woman show “Judy Australia 1964” based on Judy Garland, Herodius (Salome), The Old Lady/Dutchess (Sleeping Beauty) and for Melbourne Opera, Leocadia Begbick (The Rise and Fall of the City of Mahagonny).

Stephen Robinson

Stephen Robinson is Principal Oboe of the Orchestra Victoria. He was born in Melbourne and studied at the University of Melbourne, The Victorian College of the Arts, and the Musikhochschule Freiburg with the renowned oboist Heinz Holliger.

Stephen has been Guest Solo Oboist with I Solisti Veneti and has held positions in the Queensland Theatre Orchestra and the Melbourne Symphony Orchestra. He has also performed as principal oboe with the Adelaide Symphony Orchestra and the Tasmanian Symphony Orchestra.

As a member of Australia’s acclaimed contemporary music ensemble Elision, he has played at festivals throughout the world, and has performed with the European chamber group Ensemble Modern.

Stephen lectures in oboe at the University of Melbourne, Monash University, and the Victorian College of the Arts, and is a founding member of the wind chamber group Melbourne Windpower.

Matt Scott

Matt is one of Australia’s leading lighting designers with 30 years’ experience in the industry designing more than 350 productions for Theatre, Opera, Dance and Music Theatre. Based in Melbourne, Australia he has worked for almost all of Australia’s leading performing arts companies and producers. His work has also been seen overseas with some notable productions touring to the US, UK, Europe, New Zealand, and Japan. He has collaborated with a varied list of directors, choreographers, and designers across all performance genres. His work is regularly recognised ¬-both within the industry and in the media for its atmosphere, attention to detail and collaborative empathy.

Matt has been nominated for and won numerous awards including winning two Helpmann Awards for Best Lighting Design, two Green Room Awards for Best Design for an Opera and a Sydney Theatre Award for Best Lighting Design of a Mainstage Production.

He is currently a Lecturer in Production - Lighting Design at the University of Melbourne (Victorian College of the Arts).