Contemporary & Experimental Performance
Sarah Austin - Panel Co-Chair
Sarah is a freelance theatre maker and dramaturg with a specific interest in creating work work with and for children and young people. She is currently completing her PhD at the Victorian College of the Arts.
Dan Koop - Panel Co-Chair
DAN KOOP is a Producer, Facilitator and Artist working with local communities and public spaces to create work that engages audiences to become participants. Dan is the Creative Program Producer at Melbourne Fringe. As an Artist, Dan has created collaborative works in Hotel Obscura (2016 FOLA), Going Nowhere (2014 Arts House) and the Greenroom Award winning The Stream / The Boat / The Shore / The Bridge (2012 Next Wave).
BEK BERGER is a curator and creative producer from Melbourne, Australia. Over the past two years she has been charged with researching, participating and producing alternative festival models across the globe. Her roles have included Associate Producer of American Realness, New York; Live Programming Intern at MoMA PS1, New York; Special Events Producer at Darwin Festival, NT; Associate Producer at Forest Fringe, UK; and Assistant Producer at Fierce Festival, Birmingham, UK. Previous to this overseas dalliance Bek was the Project-Producer-In-Residence at Arts House from 2014 to 2015 in which she researched and produced different performative strategies to inspire conversation. Outcomes included curating the season 1, 2015 Supper Clubs, coorganising La Discorso with Dagmara Gieysztor and establishing the first Independent Convergence with Kieran Swann and Dan Koop. She has produced over 20 independent productions including works from Sisters Grimm, The Hayloft Project, No Show and I’m Trying to Kiss You in additional to holding positions with organisations such as Aphids, Dance Massive and La Mama Theatre.
Felix Ching Ching Ho
FELIX CHING CHING HO
Madeleine Flynn and Tim Humphrey
MADELEINE FLYNN and TIM HUMPHREY are acclaimed Australian artists who create unexpected situations for listening. They have a long term collaborative practice. Their work is driven by a curiosity and questioning about listening in human culture and seeks to evolve and engage with new processes and audiences, through public and participative interventions. Their practice intertwines local, national and international relationships. Awards include Green Room Awards for Excellence in Hybrid Arts, the Australian National AMC-APRA Award for Excellence in Experimental Music, and the Melbourne International Festival Award. In March 2017, Madeleine was awarded the prestigious Australia Council Award for Emerging and Experimental Artforms. Their work is documented at http://madeleineandtim.net
MELINDA HETZEL directs and devises original, image-based performance and live art. Her extensive body of work features visually stunning, site-specific works and dynamic, ensemble-based theatre. Since graduating in Creative Arts (Victorian College of the Arts, 2000), Melinda has presented a wide range of work in Australia, as well as Singapore and Germany. Melinda was founding member and Artistic Director of Peepshow Inc 2003-13. During this time she directed and co-devised the company’s entire repertoire, including: The Lost Story of the Magdalen Asylum, (Abbotsford Convent, 2010) nominated for a Green Room Award for Best Site-specific Performance, Divine: Part One (Abbotsford Convent, 2011) and, A Bird, a Tree, the Moon (City Square, 2012). Melinda's site-responsive work, Fly By Night, (Hamer Hall, 2015) was nominated for a Green Room Award for Design in Contemporary Performance (Visual and Digital App Design). Most recently, Madame Tulalah's Magnificent Box, premiered as part of Melbourne Fringe (Arts House, 2016), touring to Adelaide Fringe, Mt Isa Fringe, Brisbane Festival and Sydney Festival. Melinda was also the interim Artistic Director/ CEO of St Martins Youth Arts Centre in 2012, Conference Organiser for PSi 22 - Performance Climates 2016 and Creative Director of Open Spaces, a large scale, multi-arts event at the Abbotsford Convent, in 2015 and 2016.
KIM KAOS has dedicated herself to the creation and advancement of contemporary circus for 40 years. She combines her professional work (as a Director, performer, trainer and critic) in the circus arts with sector advocacy. Kim was founder and editor of 'OzJuggle Magazine' (Australia’s first journal for contemporary circus) from 1988-98. A founding member of ACAPTA (Australian Circus & Physical Theatre Association) Kim also served ACAPTA as Chair, Communications Officer and General Manager during her ten year term. Currently Kim works to strengthen critical writing on circus. As a freelance cultural journalist she was selected for ‘Unpack the Arts’ in Stockholm and works at the University of Melbourne (School of Culture & Communication). Her work with Indigenous and refugee communities aims to bring a greater breadth of voices & stories into the arts. As a founding member of ‘The Fair Ground Project’ - she promotes professional outcomes for circus performers with disabilities and creates integrated performance and training projects. Kim is Kanaka Maoli (indigenous Hawaiian).
SJ NORMAN is an inter-disciplinary artist, writer, editor and researcher. Their work traverses performance, installation, sculpture, text, video and sound. A 2005 alumna of Sydney’s PACT Centre for Emerging Artists, Norman has worked as a commissioned artist with Venice International Performance Week (IT), Spill Festival of Live Art (UK), Fierce Festival (UK), In Between Time (UK), Arnolfini (UK), Performance Space, Sydney (AU, the Australian Experimental Art Foundation (AU), Forest Fringe at Edinburgh Festival, (UK), Brisbane Festival (AU), Melbourne Festival (AU), Dancehouse (AU), Tarnanthi Festival of Aboriginal and Torres Strait Islander Art (AU), Tate Modern (UK), Arts House (AU), Vitalstatistix (AU), The Science Gallery London (UK), Kaldor Public Art Projects, and Arts House (AU), The Wheeler Centre (AU) to name a few. They are a Wiradjuri descendent living and working on Boonwurrung land.
IAN PIDD is a theatre and festival director with a practice that aims to combine the highly theatrical with the everyday. He has directed and devised major works for companies as diverse as Snuff Puppets, Polyglot, Men Of Steel, MRPG, and a plethora of self-initiated works. Much of this work has toured nationally and internationally. Ian has held the artistic directorships of Moomba, Junction Arts Festival, The Falls, The Village and is the founding AD of new family oriented music and arts festival The Lostlands, and has a multi decade relationship with Melbourne Fringe. His current projects include a suite of participatory social dance works in many parts of Australia (with Everybody Now), a three-year multi-arts project with Rumbalarra Football Netball Club in Shepparton and The Boomerangs Rugby League Club in Moree (for Polyglot), and the large-scale ceremonial Ogoh Ogoh ritual which closes Dark Mofo each year. Ian directed Sam Halmarek and Jof’s music theatre work We Are Lightening (which will tour UK in 2018) and his coproduction with Jessica Wilson and Nicola Gunn, Passenger, will perform in London in 2019. Ian’s projects tend to be playful, participatory and large in scale.
Sarah Kriegler (Currently on leave)
SARAH KRIEGLER is a director, puppeteer, writer, and co-Artistic Director of Lemony S Puppet Theatre. Most recently, she wrote and directed Lemony S’ new work Picasso and His Dog which will tour nationally and internationally during 2019 and was dramaturg/puppetry director on The Flying Fruit Fly Circus’ Junk and assistant director/puppetry director on MTC’s Vivid White. She has created works with many other companies including The Malthouse, Chamber Made Opera (CMO), Polyglot, Terrapin, Aphids, Arena and Theatreworks. She was an Artistic Associate at CMO for 7 years, where she directed Captives of the City, commissioned by Arts Centre Melbourne, receiving two Green Room Awards. Television/film credits; Farscape; Horace and Tina; Downtown; Squeak and Boo; Where the Wild Things Are. Awards; Best Performance for Children (Helpman); Churchill Fellowship; Best Design/Realisation & Best Puppet Work (Green Room); Best Children’s Performance & Gasworks Award (Melbourne Fringe)