Contemporary & Experimental Performance
Sarah Austin - Panel Co-Chair
Sarah is a freelance theatre maker and dramaturg with a specific interest in creating work work with and for children and young people. She is currently completing her PhD at the Victorian College of the Arts.
BEK BERGER is a curator and creative producer from Melbourne, Australia. Over the past two years she has been charged with researching, participating and producing alternative festival models across the globe. Her roles have included Associate Producer of American Realness, New York; Live Programming Intern at MoMA PS1, New York; Special Events Producer at Darwin Festival, NT; Associate Producer at Forest Fringe, UK; and Assistant Producer at Fierce Festival, Birmingham, UK. Previous to this overseas dalliance Bek was the Project-Producer-In-Residence at Arts House from 2014 to 2015 in which she researched and produced different performative strategies to inspire conversation. Outcomes included curating the season 1, 2015 Supper Clubs, coorganising La Discorso with Dagmara Gieysztor and establishing the first Independent Convergence with Kieran Swann and Dan Koop. She has produced over 20 independent productions including works from Sisters Grimm, The Hayloft Project, No Show and I’m Trying to Kiss You in additional to holding positions with organisations such as Aphids, Dance Massive and La Mama Theatre.
Madeleine Flynn and Tim Humphrey
MADELEINE FLYNN and TIM HUMPHREY are acclaimed Australian artists who create unexpected situations for listening. They have a long term collaborative practice. Their work is driven by a curiosity and questioning about listening in human culture and seeks to evolve and engage with new processes and audiences, through public and participative interventions. Their practice intertwines local, national and international relationships. Awards include Green Room Awards for Excellence in Hybrid Arts, the Australian National AMC-APRA Award for Excellence in Experimental Music, and the Melbourne International Festival Award. In March 2017, Madeleine was awarded the prestigious Australia Council Award for Emerging and Experimental Artforms. Their work is documented at http://madeleineandtim.net
KIM KAOS has dedicated herself to the creation and advancement of contemporary circus for 40 years. She combines her professional work (as a Director, performer, trainer and critic) in the circus arts with sector advocacy. Kim was founder and editor of 'OzJuggle Magazine' (Australia’s first journal for contemporary circus) from 1988-98. A founding member of ACAPTA (Australian Circus & Physical Theatre Association) Kim also served ACAPTA as Chair, Communications Officer and General Manager during her ten year term. Currently Kim works to strengthen critical writing on circus. As a freelance cultural journalist she was selected for ‘Unpack the Arts’ in Stockholm and works at the University of Melbourne (School of Culture & Communication). Her work with Indigenous and refugee communities aims to bring a greater breadth of voices & stories into the arts. As a founding member of ‘The Fair Ground Project’ - she promotes professional outcomes for circus performers with disabilities and creates integrated performance and training projects. Kim is Kanaka Maoli (indigenous Hawaiian).
DAN KOOP is a Producer, Facilitator and Artist working with local communities and public spaces to create work that engages audiences to become participants. Dan is the Creative Program Producer at Melbourne Fringe. As an Artist, Dan has created collaborative works in Hotel Obscura (2016 FOLA), Going Nowhere (2014 Arts House) and the Greenroom Award winning The Stream / The Boat / The Shore / The Bridge (2012 Next Wave).
ANNETTE VIEUSSEUX is the Executive Producer of Lucy Guerin Inc. where she has overseen three international co-commissions, as well as multiple tours to countries including Belgium, Canada, Czech Republic, England, France, Germany, Greece, Ireland, Scotland and the United States. Annette is committed to supporting innovative and challenging artistic practices, political advocacy for the Arts, and skills and resource sharing endeavours. She is currently on the Board of Theatre Network Australia and is an active member of international arts networks such as IETM and ISPA. Annette’s career in arts management and cultural leadership began in 2005 when she was Festival Director of Sydney Mardi Gras. Since then she has undertaken communication or producing roles for companies including Malthouse Theatre, Arena Theatre Company, Next Wave Festival, Emerging Writers’ Festival and National Theatre London.